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Morgan Delaney

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Closer

August 20, 2020 by Morgan Delaney

Cinema seats
Photo by Felix Mooneeram on Unsplash

The names of the crew replaced those of the actor’s onscreen, and the snotty punk music changed into an orchestral score played on a synthesiser.
“These are the guys who make the film, you know.”
“I know, Mal.”
“The actors just do what they’re told. Or, you know, try to.”
The Slaughters of Christ was being praised—on genre websites—with single-handedly bringing back Nunsploitation movies. Mal didn’t like it.
The deal was, we took it in turns. I watched the auteur-director-drivel films he chose and he watched the films I chose. Admittedly they weren’t art but at least something happened in them. Mal wanted to be a screenwriter-slash-director. I wanted to be a screenwriter-slash(haha!)-actor.
“I could hardly see the final scene, the lighting was off,” he said.
“Sure, Mal.” He was right, but that was clever. They didn’t have the budget for convincing effects for the, what would she be called? the Boss Nun? the Nun Queen? to morph into a demon and eat all the naked younger nuns in bright light. Besides they were in a cave, why wouldn’t it be dark?
“I suppose we’re watching Slaughters of Christ, Part 2: The Nunnoning, next time you pick a film?
“Sure Mal,” I said. “And before that we’ll watch Bearded Mumblecore Monologue, Part Whatever, when you choose.”
He tilted his beer bottle to get the last warm drip of beer. “I’m going to bed,” he said.
I turned in too. I had my script almost finished. Tomorrow. Then a quick second draft and start submitting it. It was good. It was going to start me on the road to success and the fist of many busty Hollywood wives.

I couldn’t sleep. Whenever I was just drifting off, Mal intruded. He pointed at me and laughed getting closer and closer, until I could feel the heat of his breath. A nightmare. He was going to make more money than me. He was a better filmmaker. He was a director. I woke covered in sweat. He was in the doorway, watching me. “Sleep well?”, he asked.
I shook my head.
“All those cheap horror films are giving you nightmares,” he said. Then he continued talking about how men went to the hairdresser more often than women, even though they supposedly cared less about their appearance, and a guy he went to kindergarten with, who might be gay, not that it mattered but he was allergic to avocados, and being creative shouldn’t be about ego although how can it not be?
I woke up with a start, covered in sweat.
“Sleep well?” he asked. Then he told me about a documentary he’d seen. About how pigs were raised for slaughter, in darkness but with some kind of UV light, but they didn’t get a tan, wasn’t that strange? And palm oil was used in biscuits and ice-cream, which meant it was soft and crunchy, and he wanted me to help him take a new profile photo for Tinder, because cats were no longer in, like they used to be. Why didn’t people eat cats, if they ate dogs? Everybody thinks dogs are dirtier than cats but nobody eats cats, so maybe it’s a cultural thing.
I woke, covered in sweat.

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Filed Under: Flash fiction, Horror Tagged With: Flash fiction, Horror

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